Reviews by LaLa |
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International Karate (Tasty Dance Mix) - arranged by YziReview by LaLa, 04/04/2003 As Homer Simpson would say it: mmmmm, tasty!… … Absolutely awesome bass sound that endangers your speakers and tasteful drums that provide many hints of the original. Very subtle rhythmic chords add another dimension to this remix. The lead is also pretty close to the SID original, which in this case is not a compliment, because at times it feels too thin as compared to the rest. However, the melody is reproduced very faithfully which pleases me a lot. I only wish the entire IK tune was represented here, because Yzi decided to remix only the first half of it… |
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Lightforce (Power Remix) - arranged by Markus HollerReview by LaLa, 04/04/2003 I think the subtitle is misleading, because power it ain't. It definitely feels more powerful as the guitar lead comes in about halfway through, but it needs more powerful drums to make it, well, more powerful. Nice use of those filtered electronic sounds that essentially provide the backbone of the tune, just like in Hubbard's original. All in all, a forceful remix that falls a tad short of expectations. Oh, and I think it's also too short. |
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Wizball Highscore (sid-cover) - arranged by Kent WalldénReview by LaLa, 04/04/2003 Dreamy, electronic, fantasy-land-like. These are the words the came to my mind when listening to this remix. But it's not ambient, it's more like something from a fairy-tale that makes children smile. I think the arpeggios and the bass feel a little out of place and the drums could use more reverb, but it's quite good already as it is. |
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Star Lifter - arranged by MaindrianReview by LaLa, 04/04/2003 Great distorted guitars presented in their raw form. It's a very edgy remix, but I do not quite think it's like hard rock. I think the stereo space could've been better utilized, either by panning the instruments wider or by adding panned echo/reverb. Also, I don't think a lot of post-production was done on this piece - and it shows. |
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Times of Lore (Retro Remix) - arranged by MaindrianReview by LaLa, 04/04/2003 It starts in a style that I like to call enhanced SID. Then it transforms into an acoustic affair with plenty of nice guitars, which makes the remix very organic, very human. It's a nice piece of work for sure, somewhat reminiscent of early Mike Oldfield, but it has a missing ingredient. I don't know what, but the lack of it dampens my enthusiasm towards this remix. Maybe because nothing else is really supporting those guitars. Or because the final mixing feels unpolished. Nevertheless, it's quite pleasant. |
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Miami Vice Loada - arranged by MistaDistahReview by LaLa, 01/03/2003 Teetering on the faster edge of the chill-out crowd this cover does a poor job of emphasizing what I think is the essence of Galway's original: the evolution of sound and musical patterns. The morphing here is gone, replaced by more discretely defined musical sections. Those sections, however, are very good by themselves and turn this piece into a Pink Floydish hypnotic dream (as demonstrated by those electric guitar sounds with lots of tremolo). All in all, a pretty good piece that falls a little short of being excellent. |
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Arkanoid (version x mix) - arranged by FTCReview by LaLa, 01/03/2003 The echo chamber quality of the lead makes me believe this remix was recorded in a huge ice cavern, while the supporting instruments sound tube-like to me. Until the middle of the remix when it does a strange switch to a quite different set. This switcharoo left me confused and dazed. I think what this remix misses is direction. |
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Sanx(ion) from the moment we kissed - arranged by J LofReview by LaLa, 01/03/2003 High-paced, energetic remix with a fairly unimaginative drum line. For some reason at times it reminds me of the soundtrack of The Matrix movie. I think with a better constructed rhythm section this remix would be a real winner, but in its current form it leaves me a bit cold. |
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Crazy Comets - arranged by YoshiReview by LaLa, 01/03/2003 I like the spacey effects heard here and there in this remix, I also like the bassline, but I don't think this remix fills out the audio space and frequency spectrum it was given and thus sounds a little pale. It has a good groove to it but it's not supported by enough instruments. A nice effort that doesn't go far enough. |
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Platoon (Sub tune 3) - arranged by Clayton MarslandReview by LaLa, 01/03/2003 I think there's more to Jonathan Dunn's original piece than what this cover shows of it. First I'd throw out that thin and shrieky lead and replace it with something of more authority. Then I'd add more punch to the supporting instruments. I dig the bassline a lot, so I'd keep that. I'd also keep the beginning, it works really well, but I'd shorten it a bit to get to the point (the melody) faster. All in all, I think Marsland needs to spend more time on perfecting this cover. |
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Laxity Again (mellow mix) - arranged by Joe [Stainless Steel] BarwickReview by LaLa, 01/03/2003 This Laxity tune is, IMHO, much underrated. I think it'd lend itself more to a jazzy treatment, but this approach is not too bad, either. It's more of an electronic ballad with definite sad undertones. I wish there were more variations in this cover, though. Kinda nice but I wasn't blown away by it. |
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Last Ninja Remix (A Ninja By Night Remix) - arranged by Eric DelosReview by LaLa, 01/03/2003 Slow-paced cover, but I think more is missing from it than what it adds to Ouwehand's tune. I can't put my finger on what is missing from it, this tune just doesn't make much sense to me: strings and piano, no proper beginning, no proper ending, it just _IS_. |
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Parallax (JunoPowerMix!) - arranged by SumegiReview by LaLa, 01/03/2003 Sounds like something that was put together on a soft-synth like Reason with a little laziness. It's a bit too repetetive and the instruments sound somewhat flat. The arrangement is not very imaginative, either. I can't say I'm impressed by this remix a lot. |
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Last Ninja Remix - Sewers (soft mix) - arranged by CytexReview by LaLa, 01/03/2003 Moving along at a nice and relaxed pace this cover of a remix is quite pleasant. I especially like the long delays (echoes) on that sax-like lead. It's a nice piece even if nothing special. |
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Magical Sound Shower (Carribean Edit) - arranged by GhostReview by LaLa, 01/03/2003 Steel drums galore - which is understandable. The idea of a Caribbean-style tune is novel but it wears thin pretty fast. There's only so much you can do with steel drums. If this remix was only half this long it would've had more punch. Plus I think the mixing of the tune could use some help to boost the sounds of the steel drums which sound dry and a bit too distant. |
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Storm (Its more fun to remix) - arranged by ifadeoReview by LaLa, 01/03/2003 Even if you never listened to this cover you'll recognize two Kraftwerk references here: first, the name of the remixer which is a reference to Kling- Klang Studios, second the reference to the It's more fun to compute Kraftwerk piece. The cover itself also contains some Kraftwerk references: the opening seconds remind me of Autobahn, the more or less simplistic arrangement also smells of Kraftwerk. Unfortunately, most of the sounds selected for this cover are of the modern Kraftwerk variety and I am not too fond of them in this context. A neat idea that needs to be worked on more. |
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Ocean Loader 2 (Dance X-Periment) - arranged by Sonic WandererReview by LaLa, 01/03/2003 Don't let the almost romantic intro mislead you: this is a genuine dance remix. So genuine, in fact, that it's in the dime-a-dozen category: chew it once then spit it out. |
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Grand Prix Circuit - arranged by AmpReview by LaLa, 01/03/2003 A fairly straight cover of Kris Hatlelid's famous digi tune. The opening seconds with the racecar sounds are very appropriate, then it continues in a promising fashion, but after that there are several problems with this cover. First, the lead sound is a washed out pad instead of a more edgy sound. Then the oh-so-important electric guitar hits that make or break the original have been tamed here so much that it makes the tune sound weak. Having a piano in there later was also a mistake. All in all, this cover just doesn't gel together very well: it can't decide whether it wants to be edgy or not and that's not a good thing. |
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Arabian Zoids (Themed Solo) - arranged by LarsecReview by LaLa, 01/03/2003 Ever since Jarre's Millennium concert at the pyramids of Ghiza I've come to appreciate Arabic music more and more, especially modern Arabic pop and Arabic singing. This chill-out cover of Zoids has some of the latter - and that's where the Arabian attribute ends. So in this sense the title is a bit misleading. It may have started as an Arabian style cover, but then it morphs into a standard chill-out track, then into improvisational noodlings based on some SID classics. In other words, if you want to hear a coherent SID remix, steer far away from this one. The individual chunks of this remix are interesting, but as a whole they don't make any sense to me. After this 9 and a half minute long track I was left confused, not satisfied. The good point is that the technical quality of this track is pretty high. |
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Cauldron II - I am a Pumpkin Man - arranged by traumaReview by LaLa, 01/03/2003 This tune is pretty awesome for several reasons: first it's an excellent blend of a capella vocals and a heavier rhythmic overlay. Second, I find it very funny - if you don't smile when this cover starts, you are not getting the joke or you never played the game. This is because the vocals actually make sense! Third, it has a very good progression to it: it starts in a humorous way with only vocals. Then a hard rock singer's voice comes over all this as frustration builds. Then the rhythmic overlay provides even more drama. After a short and very appropriate bridge section - which features Kraftwerkish drums - the tune culminates in a crazy organized chaos that sounds similar to a heavy metal concert mostly because of the presence of heavily distorted electric guitars. I find the result absolutely ingenius! It's an excellent, excellent piece!I am pumpkin man! ADDENDUM: Recently I've been listening a lot to this awesome tune, thanks to re-discovering it on the BIT Live DVD. My only gripe about it now is that when the purely a cappella part ends and the drums kick in, the signature base of the original tune (I am a Pumpkin Man and I'll be jumping… jump, jump, jump, jump, jump) is no more. That's a bit of a shame, but I still think the remix is awesome as is. Can't get enough of Pumpkin Man! PS: This will be played a lot on Halloween night to scare the trick-or-treating kids… |
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Last Ninja - Wilderness Woodhouse Mix - arranged by Chris MReview by LaLa, 01/03/2003 It starts with a pretty good groove, but it continues in a disappointing fashion: the lead sounds are weak and out-of-place, there are way too many tingly and bellish overtones. If the intention was to evoke oriental feelings, the result is a total failure. The arrangement is not too bad per se, but the instruments should've been selected more carefully. |
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The Last Ninja (clouded mind version) - arranged by mymessedupmindReview by LaLa, 01/03/2003 A very interesting experiment where the Last Ninja tune is slowed down and it is put into a sort of ambient wrapping. I don't think it's as artistic as it was probably intended to be, but it is certainly a notable effort. It's a pretty good for a chill out track as it's very pleasant to listen to. |
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Lightforce (another Lightforce mix) - arranged by J LofReview by LaLa, 04/02/2003 J Lof manages to breath new life into one of the most remixed tunes simply by speeding it up. That and choosing killer sounds for his remix. 😊 Add a rather danceable rhythm to this bowl of soup and you got one pretty good Lightforce cover. |
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Platoon (Stratovarius Mix) - arranged by ifadeo offlineReview by LaLa, 04/02/2003 Strangely appealing and decidedly electronic, this remix is not trying to do too much but still achieves a lot. I quite like the bass sound in it and the whole electronic feel that it projects. |
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Commando (Orchestral - Compo Edition) - arranged by LarsecReview by LaLa, 04/02/2003 I've heard so many remixes of the various Commando tunes, I lost count. This one starts very slow with a single wind instrument playing the lead of the hi- score tune - a very nice piece of remix. Then it switches to the main theme with a more grandiose style. High marks for choosing a SID tune that doesn't lend itself naturally to the symphonic treatment, but except for a few inspired spots (which are mostly where the choir is audible) I find the arrangement crooked and somewhat misdirected. Also, most of the instruments are panned dead center which sounds especially unnatural in a symphonic piece. |
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Way of the Exploding Fist (Tune2) - arranged by Kent WalldénReview by LaLa, 04/02/2003 Starts out like any regular WotF cover: very oriental in nature, ambient, serene. Then at around 1:20 more drums and a dancey bass kick in and the ambience is gone, but it actually works out quite nicely as they blend into the overall structure well. I think this is a very good high quality remix, if somewhat unorthodox in its approach. |
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Black Lamp subtune 1 (codename whistler) - arranged by MahoneyReview by LaLa, 04/02/2003 I'm not sure how to categorize this remix: I think it's a cross between a symphonic piece and good old Western-style music a la Morricone (whistling plus harmonicas - what else can it be? 😊. Doesn't take itself very seriously, but not in a sarcastic, rather in a joyful way. It's bound to cheer you up! I'm impressed by the quality of this remix, but I don't quite agree with the arrangement all the time. |
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Great Giana Sisters (Deep Tunnel Remix) - arranged by RadiuzReview by LaLa, 04/02/2003 In contrast to Dr. Future's version, this is a fast-paced dance version of the same Hülsbeck tune. Maybe the style is not a very original one, but it's done fairly well and is definitely danceable. |
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Noisy Pillars (Final 80s drummachine remake) - arranged by Jarno BeumerReview by LaLa, 04/02/2003 I think the bass actually sounds better in this one, but I liked the lead better in the 2002 remake. Jarno needs to combine the best of his two mixes to create a better one. 😊 |
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Crown (Orchestral Menace Edit) - arranged by Markus SchneiderReview by LaLa, 04/02/2003 It starts with some moody harps but it continues with more carefully selected wind instruments. It then evolves into a very masculine theme that is alternated with peaceful solos, creating a sort of emotional roller-coaster ride in just 3 minutes. Markus shows some pretty impressive mastery of the symphonic domain here, even though at times his piece suffers from too synthy instruments. But he did the best he could with what he had and the result is awe-inspiring. |
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