Matt Gray: Central Park Loading Theme (R5 Version)

05/09/2026

Posted by Matt Gray today for his Kickstarter backers:

Some good news in this update as I have another finished Last Ninja 2 R5 track for you to hear and it's my new version of Central Park Loading Theme.

I've put it up on Bandcamp where you can listen or download and hopefully the rest of the LN2 R5 album won't be too far away.

Submitted by LaLa
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FastLoaders News

20/08/2026

- Jarle & Co. will be a guest on tonight's SLAY Radio show (8/20/2026 @ 20:00 CEST).

- The FastLoaders have announced an upcoming concert in Prague on Sept 26. For more details and for tickets check out the event's page on Facebook.

Submitted by LaLa

BIT Live 2026 Remix Compo - Results

01/08/2026

The BIT Live 2026 and Remix64.com 25th Anniversary Remix Compo is now over, all votes have been counted and the results are in! No spoilers here, but you can go to the compo results page and check out the winners yourself.

Congratulations to all winners, and a huge thank you to everybody who submitted a remix, and to all people who voted and played the Guess the Remixer game!

Submitted by LaLa

Firefox birthday show!

14/07/2026

Let's have a birthday party for Firefox, aka. Jimmy Fredriksson! One of the guys responsible for the music for the classic Phenomena Amiga Demo Enigma! Tonight at 21:30 (CEST) on the Retro Gaming Music YouTube channel.

Submitted by fluke73
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Back In Time 4 - Sidventure
© (C) 2020 C64Audio.com

Back In Time 4 - Sidventure

by Chris Abbott

Welcome to Back in Time 4: Sidventure, part of the 8-Bit Symphony series of projects. It’s a series of symphonic tales, told with passion.

I planned Back in Time 4, 5 and 6 two decades ago to take over from where Back in Time 3 left off. It was always planned that they’d be largely symphonic, but it took a while (and many twists and turns) for reality to catch up.

This series of CDs contains computer-based performances of arrangements from the 8-Bit Symphony project. I used mostly VSTs from Orchestral Tools with additional libraries from Spitfire Audio, 8Dio, Impact Soundworks and Embertone. These were all integrated into Sibelius, and the scores were then marked up for realism (this is where the art comes in!). After that, they were output into Cubase where they were timing-corrected, enhanced with light reverb, mixed, and then rendered. The CD was co-produced by Kenneth Slaygon Mutka who worked closely on this project since its inception, and without whom it wouldn’t exist. Many of the production ideas are his.

Arrangements were created by myself, Rob Hubbard, Gari Biasillo, Alisdair J. Pickering, Ben Daglish, Paul Norman, Peter Connelly, Julian Breeze, Alistair Boz Bowness, Marcel Donné. They were orchestrated by Rob, Alisdair and 8-Bit Symphony conductor Robin Tate.

Big thanks to Back in Time Symphonic Collection Kickstarter backers for their patience!

This project is of course dedicated to the memories of Ben Daglish and Richard Joseph. They would have got a kick out of all this.

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Listening Recommendation
Outstanding

 Ikari Union (The Non Brexit Edit)

Arranged by Wobbler

Nice remix to chill out to, sounds very amiga demo like, which isnt a bad thing.

Review by Methanoid

Random review
Outstanding

 The Last V8

Arranged by Johan Andersson

I really, really like the 70s funk feel of the intro (reminds me of those 70s cop TV shows), too bad it's not carried forward to the rest of the tune. Also, I keep missing the… … immediately! from the speech samples, it just doesn't feel complete to me without that, and it drives me nuts! Am I the only one? 😊 Other than that - top-notch stuff yet again from Johan.

Review by LaLa

Latest Review
Outstanding

 Exodus

Arranged by Tomsk

Honestly, the original SID (which I didn't know before) is nothing to write home about. It's fine as far as 1984's game music goes, but not particularly outstanding. All the more amazing what Tomsk has been able to create out of it. His remix may not be in your face the first time you listen to it, but its imprint lingered in my brain long after. Especially the second part after the key change. I keep coming back to it, like a moth to a light - it just keeps drawing me in somehow.

Review by LaLa

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