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Firelord - arranged by David FilskovReview by Chris Abbott, 23/01/2003 Synth Firelord? Time has not been a friend to this version. The drums don't work, and it's become clear that this is an orchestral piece. As such, though you can hear the effort in terms of structure, all I hear is how it should have been. Which is unfair of me really, because there's not a lot else wrong with this. Worthwhile download. |
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One Man and His Droid - arranged by David FilskovReview by Chris Abbott, 23/01/2003 From the very first bars, it's obvious what David is trying here: Magnetic Fields, played live. Considering the essential Fields-ness of this tune, it's an appropriate choice, and it's carried off with panache, though I wish some of the tune was restored (sometimes just the harmony plays). Crowd noises and SFX sustain the atmosphere, though this isn't a full length version. A very clever ending, too. Convincing! Well done, but I prefer my remixes sounding studio rather than live, but that's personal taste. Remixes like this are quite rare. |
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Chordian - arranged by Marcus Hoffrén offlineReview by Chris Abbott, 23/01/2003 Hmm, echoey SID. Actually, thanks for the tune he's chosen, this works quite well, but that's nothing to do with arrangement skill. This is one of those remixes that sounds like the SID, but which has quite subtle additions (and the not-so-subtle one of a drum track). Therefore, if you like the original, you'll like this. If not, you won't. Quite pleasant. |
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Bubble Bobble (Hillbilly Rodeo mix) - arranged by DJ PretzelReview by Chris Abbott, 23/01/2003 Possibly the most inspired C64/arcade remix SID ever. It's a complete piss-take on Bubble Bobble, but it works because (a) the instruments are played really well, and it's well arranged, (b) the vocals and acting are inspired, and (c) the sheep are funny. ROFL! Inspired and unmissable. |
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IK+ (Nokia mix) - arranged by DJ SubslashReview by Chris Abbott, 23/01/2003 Yes!! Those mobile phone tones are SO great I want them played REALLY loud through my Hifi! Yes!! hahahahahahahaha!! Take an ethnic breakbeat, an out of time Nokia IK+ ringtone and an unrelated speech sample, repeat for a few minutes and you have this. Oh yes, and the background chord stab has no relation to IK+ either. I cannot stand covers like this, but unfortunately when c64 music leaves the scene, this kind of cover happens to it all the time (for instance, Output64). So, bearing in mind I've dispatched Ninjas to the person who arranged this to smash up their equipment, here are my marks: So terrible I'm screaming. |
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Giana Sisters Danceons - arranged by Hiryu offlineReview by Chris Abbott, 23/01/2003 Giana Sisters underground SID with a crappy breakbeat. That's it! I thought covers like this had died a death. I was wrong… One mark subtracted for an obviously bugged section. |
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Lazy Jones (C-64 Remix) - arranged by DJ Tobi offlineReview by Chris Abbott, 23/01/2003 It's easiest to say what's wrong with this half-baked dance mix: the parts representing the C64 are far too dry and don't fit with the rest of the mix: the drums might as well not be there. It's not toe-tapping, it just doesn't work. Also, the breakbeat itself is completely out of character with the inexorable nature of the tunes and the rendition of the infamous subtune 21 is laughable. Pales in comparison with other Lazy Jones covers. |
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Lazy Jones (DJ Tobi Remix) - arranged by DJ Tobi offlineReview by Chris Abbott, 23/01/2003 Another Lazy Jones remix by DJ Tobi starts off a lot more promisingly than the C-64 remix variant, but there's a puzzling riff, and when the famous subtune 21 sets in, it's obvious that he's tried to work the same sonic effect as Zombie Nation, but failed miserably. This chorus/detuning doesn't work, and the drums are weak and pointless. The kick drum is nowhere near as powerful as it should be (compressesion, try it!), and the whole remix will go nowhere near a dance floor, and with good reason. A poor man's Zombie Nation (I can't believe it, I'm praising Zombie Nation!). OK, but it's way down the list of worthy Lazy Jones covers. |
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Lazy Jones 2001 Deluxe - arranged by DJ Tobi offlineReview by Chris Abbott, 23/01/2003 Um, are you detecting a pattern here? I wonder if there's a clinical term for Lazy Jones obsession. This dance mix is more clubby, and yet still not toe-tapping. Maybe it's the bitrate, maybe it's the complete lack of atmosphere (sounds like the whole thing is being played in your living room, and some of the breakbeats are unforgiveably weak). I give up… what IS Deluxe about this?. |
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Test Drive - arranged by DJ Tobi offlineReview by Chris Abbott, 23/01/2003 It started with a SID, who would have thought it would come to this? 😊 Sid + Drums, that's it. Why? It's not as if this is a good tune. OK, the riff might have made an OK riff around something else, but no one is going to be shaking their little booties to this, even with that breakbeat: getting people dancing is not just a question of drums on top of SID, you know. Pointless cover of a pointless original. |
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The Goonies - arranged by DJ Tobi offlineReview by Chris Abbott, 23/01/2003 It started with a SID, who would have thought it would come to this? 😊 Sid + Drums, that's it. Why? It's not as if this is a good tune. OK, the riff might have made an OK riff around something else, but no one is going to be shaking their little booties to this, even with that breakbeat: getting people dancing is not just a question of drums on top of SID, you know. Pointless cover of a pointless original. Well, if DJ Tobi is going to do the same thing, I'm going to use the same review!. |
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Skate or Die - arranged by DJBReview by Chris Abbott, 23/01/2003 A brave attempt to rework the SID: suitably grungy guitar, spirited organ and appropriate drums. The production quality is a bit lo-fi: I guess if you close your eyes you could imagine yourself in the cafe with the players. An XM conversion which sounds like it: a good rework, but the problem with covers of Skate or Die is that it's obvious how it should sound: like a live band on a big stage. And this cover doesn't sound like that. Reasonably satisfying cover, but the piece deserves so much more. |
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Temple of Apshai Trilogy - arranged by DjLizard offlineReview by Chris Abbott, 23/01/2003 Drums and SID on two different paths for the start of the piece, but the piece gets going and surprisingly is actually spacious and even a bit exciting. SID Temple of Apshai, but some added bass, and a mixture of breakbeats and straightforward 80s rhythm. Surprisingly good considering the style and the source material. |
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Bubble Bobble (sadness mix) - arranged by DjLizard offlineReview by Chris Abbott, 23/01/2003 Sad Bubble Bobble? In the same league as happy Knucklebusters, I think. Quite a clever reworking of the notes from the main theme, and quite an engaging bit of synth noodling (Twin Peaks echo sounds, drum and bass thing, quite eerie FX and production). It isn't Bubble Bobble though. It's not Bubble Bobble, but it is worth a listen. |
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Chilly Willy (Dallas theme cover) - arranged by DjLizard offlineReview by Chris Abbott, 23/01/2003 A Seinfeld bass kicks off this (apparently funky) remix of… Dallas! There isn't much feel for the actual melody of the piece here, though some of the synths and the general sound carpet is quite attractive. It won't chill your Willy, it sounds silly, but it is worth a lily. I mean, listen. |
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Ultima V Greyson's Tale (c128) - arranged by Eric Pochesci offlineReview by Chris Abbott, 23/01/2003 This is played on a Vangelis instrument, but it sounds cloudy and messy. The choir seems to be uncontrolled and has occasional discords with the tune. Underwhelming. Thankfully short. |
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Noisy Pillars - arranged by FashReview by Chris Abbott, 23/01/2003 Uninteresting version of the SID replicated almost entirely without additions or subtlety, and without the life and bounce of the source material. Life has been sucked out. Not offensive, just boring. |
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Temple of Apshai (drum and bass) - arranged by DjLizard offlineReview by Chris Abbott, 23/01/2003 Some things in life aren't meant to be together… yes, I know I've said that before, but it's true! Ask my parents! These two things are almost irreconcilable, though in this case the FX on the SID are nice, with some filter burbling almost managing to pull off the impossible. Strangely engaging at times, despite my reservations. Worth a listen: surprisingly he almost pulls it off. |
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Hypa-ball - arranged by DjLizard offlineReview by Chris Abbott, 23/01/2003 You can't remix a bouncy 12/8 song in 4/4 without having a damn good reason. This cover doesn't have one, though it does convey the wideness of the piece better than the Low Kick remix, possibly because the SID appears to be better recorded. There's some nice synth noodling when the SID triangle wave plays, but when the backing stops, the rhythm changes completely back to the 12/8, and the ear gets confused. Drivel, but maybe your toe might tap if the wind is blowing the right way. Hey, look at those marks. Looks like this tune is more than the sum of its parts. Pretty good apart from the major flaw. Some good ideas. |
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International Karate - arranged by DjLizardReview by Chris Abbott, 23/01/2003 Very Vince Clark filtered synth noodling start to this. No obvious IK influences at all, but it sounds nicely dancy. I'd be happy with this if I was creating a dance track. However, the percentage of IK is… about 0% from listening to it. Which makes this a wolf in sheep's clothing. Or a sheep in wolf's clothing, or something. But it's nothing to do with C64 music, and there's no melody to speak of. |
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Krakout (Fucough mix) - arranged by DjLizard offlineReview by Chris Abbott, 23/01/2003 Fucough? HAHAHAHAHAHAHA! My sides have just come apart with the hilarity. Krakout is a crazy tune, but this is Krakout on E. If you ever saw anyone dancing to this, you'd wonder about their sanity: the bits of the tune are incredibly twee, and the whole thing is like a bad nightmare. Annoying. The word 'petty' also springs to mind, puzzlingly. |
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Ultima V - Moonglow memories - arranged by DjLizardReview by Chris Abbott, 23/01/2003 Oooh, this is a Vangelis feel. Nice echoey piano playing the SID part, and a scintillating synth riff. Pads join in to give a lush feel, and… At 1:23 a drill kicks in, to lead to a Robert Miles-style backbeat, bass and feel. It's quite harsh in sound, but it's got a lot of presence. There's an outside chance this would work in a club. From 2:09 the tune is joined by some rhythmic beeps which don't work because they clash with the tune. From this point the remix seems to undergo entropy and collapse, until a sudden recovery at 2:40, where is finds its feet again. DJLizard leaps into the hall of fame. |
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M.U.L.E. (Aerobics in the jungle mix) - arranged by MahoneyReview by LMan, 23/01/2003 The jungle fever is on the loose! Go and get yourself infected! 😃Extraordinary well produced (like all of Mahoney's tunes), and really innovative (like all of Mahoney's tunes). What's left to say? Grab this mix and sing along: Laaa behdum dum baah dum bah dut… Great work! 😊 |
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Ode to my C64 (Hammerfist) - arranged by MakkeReview by Chris Abbott, 23/01/2003 In this tune, the point is not what is covered (Hammerfist), it's a complete song devoted to the C64 in Depeche Mode stylee. And it's brilliant executed. Just download it! |
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Big Benn - arranged by Bart KlepkaReview by Chris Abbott, 23/01/2003 A megamix of many Benn pieces, from Ark Pandora through Last Ninja. A suitably frenetic intro is joined by a strange piano lead to complement a straight dance rhythm. The main piece is taken forward by Ben's SID burbles, but in this case, the cover would have been better suited by having a sharper and more stabby replacement for these: the burbles aren't segregated enough to suggest the necessary madness, and just don't feel punchy enough. At 1:48 the tune seems to go a bit Pete Tong melodically, but since it's 720, I'll give it the benefit of the doubt, since that's got some odd chords in it. When Bombo kicks in, the whole thing begins to sound like Robert Miles (as if it didn't already!). Some pads float about to add width to this section, which work well enough. The main problem with the megamix is that the necessity for a constant beat and sound means the individual parts have to be bent and shaped to fit: a process which mangles some more than others. Ben's Last Ninja Wilderness tune loses its Swing-type beat, for instance. Much the same happened on Chris Huelsbeck's 'Giana Sisters Megamix", which was disappointing for me as a fan of the individual pieces, because none of the parts had the atmosphere of the original. So, this cover, while technically very well done (I'd argue with the lead in the Last Ninja section though) falls victim to its own structure and ends up less satisfying to Ben fans as a result. Efficient but strangely unsatisfying. |
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Wizball Song 2 (Orchestral Bouncy Remix) - arranged by MistaDistahReview by Chris Abbott, 23/01/2003 The words 'flatter to deceive' apply to this remix, which is an interesting take on the SID. Elements from the SID, orchestral hits, a hip-hop style brush breakbeat all combine. Sounds interesting, and is for about a minute. Then you realise that nothing else is going to happen that's more interesting: OK, the drums develop into a more standard house pattern, but that's about it. This is most definitely a case of 'I've just bought a sample CD and I'm going to use it'. Some nice ascending orchestral chords at 1:30 onwards make me think I've been a bit harsh, since some of them are quite epic. The SID is almost optional here though, and the piece doesn't quite know where it's going. On balance, the world is better for this piece existing, so I recommend a download. don't expect anything more from Wizball than the paint mixing noises though. Download it if you're in an experimental mood. |
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Starforce Fighter - arranged by MakkeReview by Chris Abbott, 23/01/2003 A little reminiscent of Parallax, this MP3 has a very wide sound until the drums kick in, when it becomes boxy and too reverbed. There are some nice ideas here, but the overall sound quality lets it down. Better production would have added two marks overall. A good cover let down by its sound. |
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Warhawk main theme (sadmix) - arranged by FerraraReview by Chris Abbott, 23/01/2003 A slow, sad treatment of Warhawk: almost a requiem. Shades of this mood for Warhawk also showed up in O2s seminal Warhawk mix. It works very well. Warhawk by its nature relies on minor chords, and has a strong melody line which can well survive away from the original SID. This, this cover works. A Jarre Revolutions feel and floaty pads (albeit with an irritatingly piercing echo-lead) performs the rest of the piece. It's an intelligent and persuasive cover, and even when the melody has its chords changed, it works, the sign of the thought that's gone into it. If the production and sound quality were better, and a couple of the irritations in EQ removed, this would be CD-worthy. Perhaps a rework on better technology? Pretty damn good. |
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Jyde Funk - arranged by Fredrik SegerfalkReview by Chris Abbott, 23/01/2003 It's funky. It's MoN funky. It's got an asthmatic organ lead though. Toe-tapping: the bass and drums work well, and there's the compulsory rhythm guitar whacking. Inexplicable speech samples and bell sweeps are odd but atmospheric. In conclusion: this is whacked out funk, but actually listenable with an open mind. Not vital, but a nice download for the open-minded. |
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Afterburner (Before I burned the afterburner mix) - arranged by FTCReview by Chris Abbott, 23/01/2003 An almost ethnic sound characterises the start of this cover, before the main tune kicks in at 1:00. Good use of FX and sounds gives a quite luxurious atmosphere. Thanks to Jeroen's original, this cover is slightly disjointed, and there are parts of it which just stop the tune, but there's some good moments. Jeroen's solo is captured well, and the mix of synths and SID works very well. Well worth the download. |
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